Why Lin-Manuel Miranda Did not Return for ‘Moana 2’
Lin-Manuel Miranda, who acquired an Oscar nomination for “How Far I’ll Go” from Moana, opened up about why he didn’t return for its record-breaking sequel, Moana 2.
The award-winning artist sat down with The Hollywood Reporter forward of the discharge of Mufasa: The Lion King and defined that it wasn’t a selection between engaged on the Lion King prequel and Moana 2.
“It didn’t line up that method truly,” he mentioned. “I acquired the script for Mufasa after I had simply completed Encanto, and so I began engaged on that on the high of ’22. So, Moana 2 was already in course of as a TV collection with Emily [Bear] and Abigail [Barlow]. So then, when that call acquired made to show that right into a film, they had been already cooking.”
Regardless of not being requested to return for the movie, once more voice starring Auliʻi Cravalho and Dwayne Johnson, the Hamilton creator did get an opportunity to listen to Bear and Barlow’s music for it.
“They’re so proficient,” he mentioned. “Greater than something, what’s so thrilling is we employed Auli’i when she was 14 years previous, and the stuff she’s singing on this new movie is so simply technically troublesome, to see how far she’s come as a performer is basically extraordinary.”
Miranda wrote the music for the primary movie. “How Far I’ll Go” was nominated for greatest authentic track on the Oscars and Golden Globes, in addition to greatest track written for visible media on the Grammys, which it gained.
When creating the soundtrack for Mufasa, he defined that in terms of telling the story about Mufasa and Scar, it’s virtually like entering into the wrong way of what everybody is aware of about them from The Lion King.
“I learn the script, and I used to be simply so shocked by it,” he instructed THR at its world premiere. “The whole lot I assumed I knew about Mufasa and Scar was completely the wrong way up, and I may see very clearly the place the songs went. The Lion King is so beloved by so many individuals, together with myself, so I simply wished to do proper by it.”
He famous that probably the most enjoyable a part of engaged on the music for the prequel was leaning into the half audiences don’t know: “This can be a story of two brothers who adore one another, and the way will we get from that to the best way we met Mufasa and Scar within the authentic?”
One other draw for Miranda was the chance to work with director Barry Jenkins, who he referred to as “one among our nice filmmakers,” noting that he “was honored that he requested me.”
Whereas talking with THR earlier than the Mufasa premiere, Jenkins and Miranda shared their reminiscences of the late James Earl Jones, who voiced the character within the authentic animated movie and 2019’s The Lion King live-action. (The prequel opens with a tribute to the actor.)
“Being somebody Black in Hollywood, you might have these mentors, these individuals you look as much as,” Jenkins shared of the late icon. “So I met him very briefly previously however not with reference to a specific venture. However when he did cross, it was very clear. I grew up with no father determine. This character, in some methods, grew to become a father determine, so it felt very applicable to discover a technique to honor him.”
Jones’ legend prolonged past the large display to Broadway the place he had an enormous profession as nicely. Miranda recalled seeing him carry out a number of occasions and crossing paths with him as soon as in Washington, D.C.
“One in every of my most memorable days was after I first carried out a track from Hamilton on the White Home in 2008,” the Within the Heights creator shared. “He was performing Othello’s massive monologue to the Senate, and so my day began with splitting a van with James Earl Jones to the White Home. And I keep in mind saying, like, ‘If that is the place the day ends, it’s already the very best day of my life.’ He was unimaginable.”
Jenkins additionally regarded again on the times when Blue Ivy Carter was performing her scenes for Mufasa and the way Beyoncé allow them to have their very own course of as director and actor.
“I’ll say, like a mom, she would keep behind and watch as Blue carried out her scenes,” he mentioned. “It was actually fantastic to see the satisfaction that she took and likewise, too, I’ve to say, when your mother is the solar, the moon and the celebs, it may be fairly intimidating. And I give Beyoncé a lot credit score as a result of she did every part in her energy to make that not the case on the times the place they had been working collectively. It was actually beautiful to see.”
Mufasa: The Lion King hits theaters Dec. 20.
Ryan Fish contributed to this story.
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